The furniture is American Federal but the wall coverings (or murals) hint of Europe. Drawn from blueprints of a federal house. (The door really is up against the fireplace: not my idea.)Watercolor & pencil for Hearst Publications
e-mail me at rtoglia123@aol.com
The choice of this particular wood and black for the column is a restatement of 19th Century Biedermeier furniture but this time it is part of the architecture. A reddish Bokara rug glows against the black elements. The left wall tilting in from the top puts us unmistakably into the modern world.
The faceted positioning of mirror strips at the top of the mirrored column turn a structural eyesore into a dazzling display of light: it seems to be supporting the white ceiling panel which is actually suspended. The displays on the tilted wall continue with the idea of things being weightless. The use of black anchors the whole room down.
Mirrored doors and windows without frames (clear and opaque glass) are set in a mirrored wall to form a sleek reflective surface that seems to double the width of this corridor while restating the granite wall and artwork opposite from it. This drawing was done with only the designer's description and a sample of the stone. R. Toglia, illustrator - Elise Kodish, designer - azucke@gmail.com
Five framed graphics seem to float on the mirrored back wall. White panels hover just below the ceiling. The rough hewn granite walls have a subtile sparkle in them that plays against the glass components. Almost everything floats; even the backrests float above the black leather benches.